Spilsbury Thesis: A Blog

Success and Relief

2009-04-02T15:31:00.000-07:00

Through a little experimentation, some advice from the vast and friendly internet, and a genius suggestion from Bryan Young I have been able to automate the conversion from the flash outlined characters to a pencil-like look. I was previously planning to perform this process manually by tracing everything, though I soon realized such an attempt would render me a weeping shell of a human discovered by some lonesome vagrant rifling through a local dumpster. So instead I have saved myself from such a fate by using After Effects to complete the task for me. The results are not perfect, but are pretty close to what I was looking for. Here are a few examples.

Final Look - Paper Characters from Michael Spilsbury on Vimeo.

Animation: Close to Finished?

2009-03-10T01:15:00.000-07:00

Here is the latest rough animation. It's pretty much all done. I hope.

Scene 14 - That took how long?

2008-12-02T15:04:00.000-08:00

It's amazing, and quite frustrating at the same time, the length of time it can take to produce a few seconds of simple animation. This scene where he falls off of the cliff was a successfully animated clip, though upon finishing it my feeling of pride was somewhat eclipsed by the realization of how little I had actually created. It comes with the territory, however, and animators aren't allowed to complain about this.

Scene 14 - Rough Animation from Michael Spilsbury on Vimeo.

Character Renderings

2008-11-18T14:45:00.001-08:00

Thanks to Jake Albers' help I have been able to streamline a digital method for creating a paper-like look for the main character. Here are two tests using different paper textures - one much more subtle than the other. (A description of the process is below)

Character Texture Test 1 from Michael Spilsbury on Vimeo.

Character Texture Test 2 from Michael Spilsbury on Vimeo.

The Process:
Create the pencil outlines:
-Export the Flash animated character outlines as a PNG sequence with alpha
-Import to Photoshop and trace the outlines with a pencil-like brush using a tablet (admittedly, a pain in the ass)
-Export a new PNG sequence (with alpha) of the newly traced character outlines

Create the paper texture:
-Export from Flash a PNG sequence (with alpha) of the character's solid shape - the cutout shape of his entire body without any outlines or details
-Import the sequence to After Effects and place the paper texture on the layer below
-Choose the 'Stencil Alpha' blending option for the PNG sequence
-Use 'The Wiggler' effect on the paper texture to make it randomly jitter

Composite the two:
-In After Effects composite the PNG sequence of the outlines with the character's moving paper-texture

Scene 17 - Stretching The Limits

2008-11-18T14:34:00.001-08:00

Here is the first rough animation of when the main character decides to jump on another man out of frustration in order to scale the cliff. In an attempt to push the animation further I tried to stretch the characters more than was comfortable, though I feel the results work well. Similarly, I focused heavily on strong anticipation in order to ensure easily understood movements.

Rough Animation - Scene 17 from Michael Spilsbury on Vimeo.

First Rough Animation

2008-09-16T11:55:00.000-07:00

Here is Scene 1 of rough animation. It is as much a test in the pipeline as the beginning of production.

Scene 01 - Rough Animation from Michael Spilsbury on Vimeo.

The issue I face right now is whether to continue this process by drawing on paper. I have found paper animation to be more time consuming and more frustrating than digital means, but I aim for the hand drawn look to be present in the final film. And there is a natural attraction to the simplicity of the paper and pencil duo.

I have been told that ToonBoom could lend itself to a pencil on paper look while maintaining the advantages of digital production. I have yet to experiment with the program, though I am interested to see what could be produced. I only know that it must be resolved quickly.

Fall 2008 Timeline - Rough Animation

2008-09-16T11:25:00.000-07:00

The best way to keep yourself on track is to surround yourself with others who are able to keep you honest and accountable. For that reason, and perhaps because it might pique your curiosity, I have attached my Fall Timeline for the project. I invite you all to bother me to no end in order to keep this project on its due course.

	Scene Name	Scn #	Points	TOTAL
Week 1	Sept 9 - Sept 15			24
	Man runs: surprise	1	24
Week 2	Sept 16 - Sept 22			61
	Sees them floating	2	17
	Surprise and excitement	3	14
	Runs off	4	17
	Success!	22	13
Week 3	Sept 23 - Sept 29			67
	Left behind	5	27
	Tries to follow	6	22
	The ascent	8	18
Week 4	Sept 30 - Oct 6			69
	Decides to climb	7	26
	A ledge!	9	10
	On the ledge	10	18
	A long way down	11	7
	Ahh!	12	8
Week 5	Oct 7 - Oct 13			29
	Attack!	17	29
Week 6	Oct 14 - Oct 20			71
	Testing the waters	13	57
	A long way up	19	9
	Another cliff	25	5
Week 7	Oct 21 - Oct 27			67
	A hard fall - back on his feet	14	44
	The developing scheme	16	23
Week 8	Oct 28 - Nov 3			30
	Frustration	20	30
Week 9	Nov 4 - Nov 10			65
	Another fall	18	44
	A lazy traveller	15	21
Week 10	Nov 11 - Nov 17			34
	Celebration	24	34
Week 11	Nov 18 - Nov 24			46
	Travelling up	23	21
	A new friend? (20%)	21	25
Week 12	Nov 25 - Dec 1			24
	A realization	26	24
Week 13	Dec 2 - Dec 8			50
	A new friend? (40%)	21	50
Week 14	Dec 9 - Dec 15			50
	A new friend? (40%)	21	50
		TOTAL		687

An Animatic - Final, We Hope

2008-09-16T11:17:00.000-07:00

Technical difficulties abound, an animatic has made it's way to this blog. The ending has changed a number of times, though I would like to hope this is a final version.

There may still be playback issues, vimeo.com has not been cooperative.

Thesis Animatic from Michael Spilsbury on Vimeo.

The Beginning

2008-09-01T14:09:00.000-07:00

Though the date may say September 1, 2008 the real beginning of this film was over a year and a half ago. Ideation, conceptualization, and storyboarding began Winter 2007. Four months of planning, drawing, and critique followed. By June 2007 I had decided that I would not begin production on the film until September 2008. As work on the film moved into a state of hibernation so did my consideration of the project. I rarely thought about the film until this past August when the project was rudely awakened from its slumber by the onset of the school year.

At first I was concerned that the film would no longer be of interest to me - that I would be sucked into an inescapable maelstrom of regret and disdain for my original idea. But I was thankful to find that my feelings were somewhat the opposite. After reviewing my storyboard I discovered a rejuvinated desire to create and communicate through the film. I only pray that this feeling remains lest it be a tough journey ahead on the road to April.